Architecture Sketch Blog

A collection of architecture sketches and drawings (mostly and hopefully by hand) focused firstly on the thought process that comes before the concept of a project and secondly on presentation techniques.
Born to serve as inspiration and guide for architecture students/lovers.
Please share your own sketches or your favorite ones by submitting!
acidadebranca:

Many buildings stood on the Old Campus which were removed to make way for the current configuration of structures, including The Old Laboratory (1782–1888), The Cabinet (1819–1890), Trumbull Gallery (1832–1901), Alumni Hall (1853–1911, Alexander Jackson Davis; the towers from this building were rescued and rebuilt behind the tomb of Skull and Bones), Old Dwight Hall (1885–1926, J. Cleaveland Cady) and Osborn Hall (1888–1926, Bruce Price).
http://etc.usf.edu/clipart/57800/57877/57877_osborn_hall.htm

acidadebranca:

Many buildings stood on the Old Campus which were removed to make way for the current configuration of structures, including The Old Laboratory (1782–1888), The Cabinet (1819–1890), Trumbull Gallery (1832–1901), Alumni Hall (1853–1911, Alexander Jackson Davis; the towers from this building were rescued and rebuilt behind the tomb of Skull and Bones), Old Dwight Hall (1885–1926, J. Cleaveland Cady) and Osborn Hall (1888–1926, Bruce Price).

http://etc.usf.edu/clipart/57800/57877/57877_osborn_hall.htm

nickkahler:

Cedric Price, “Fun Palace Concept,” London, England, 1961 (via unbuilt)

‘The Fun Palace was one of Cedric Price’s most influential projects and inspired Richard Rogers and Renzo Piano’s early 1970s project, Centre Georges Pompidou in Paris. Initiated with Joan Littlewood, the theatre director and founder of the innovative Theatre Workshop in east London, the idea was to build a ‘laboratory of fun’ with facilities for dancing, music, drama and fireworks. Central to Price’s practice was the belief that through the correct use of new technology the public could have unprecedented control over their environment, resulting in a building which could be responsive to visitors’ needs and the many activities intended to take place there. As the marketing material suggested, there was a wide choice of activities: “Choose what you want to do – or watch someone else doing it. Learn how to handle tools, paint, babies, machinery, or just listen to your favourite tune. Dance, talk or be lifted up to where you can see how other people make things work. Sit out over space with a drink and tune in to what’s happening elsewhere in the city. Try starting a riot or beginning a painting – or just lie back and stare at the sky.” Using an unenclosed steel structure, fully serviced by travelling gantry cranes the building comprised a ‘kit of parts’: pre-fabricated walls, platforms, floors, stairs, and ceiling modules that could be moved and assembled by the cranes. Virtually every part of the structure was variable. “Its form and structure, resembling a large shipyard in which enclosures such as theatres, cinemas, restaurants, workshops, rally areas, can be assembled, moved, re-arranged and scrapped continuously,” promised Price.’

(via acidadebranca)

fabriciomora:

Modular Home Additions in rustic style
 The One+ house is a compact house design based on the principle of Legos – just add pieces to build on the structure. Each cottage-chic module measures 15m2, and is prefabricated using local Swedish materials in an eco-sustainable, future-forward design. Need more room? No problem! Just add another module to double your space.

fabriciomora:

Modular Home Additions in rustic style

 The One+ house is a compact house design based on the principle of Legos – just add pieces to build on the structure. Each cottage-chic module measures 15m2, and is prefabricated using local Swedish materials in an eco-sustainable, future-forward design. Need more room? No problem! Just add another module to double your space.